He is best known for his plays, Shantata! Court Chalu Aahe (1967), Ghāshirām Kotwāl (1972), and Sakhārām Binder (1972).Many of Tendulkar’s plays derived inspiration from real-life incidents or social upheavals, which provides clear light on harsh realities. He had already written a play, mchyvar Kon Prem Karnr (Who will Love us), and he wrote the play, Gruhastha (The Householder), in his early 20s.Vijay Tendulkar (Marathi: विजय तेंडुलकर) (7 January 1928 – ) was a leading Indian playwright, movie and television writer, literary essayist, political journalist, and social commentator primarily in Marāthi. Writing then became his outlet, though most of his early writings were of a personal nature, and not intended for publication.Įarly career Tendulkar began his career writing for newspapers. Pretest immunology pdfĪt age eleven, he wrote, directed, and acted in his first play.Īt age 14, he participated in the 1942 Indian freedom movement, leaving his studies. He grew up watching western plays, and felt inspired to write plays himself. The literary environment at home prompted young Vijay to take up writing. He provided his guidance to students studying Playwright writing in US universities.įor over five decades, Tendulkar had been a highly influential dramatist and theater personality in Mahrshtra.Įarly life Vijay Dhondopant Tendulkar was born on 7 January 1928 in a Bhalavalikar Saraswat brahmin family in Kolhapur, Maharashtra, where his father held a clerical job and ran a small publishing business. He is best known for his plays, Shantata Court Chalu Aahe (1967), Ghshirm Kotwl (1972), and Sakhrm Binder (1972).Many of Tendulkars plays derived inspiration from real-life incidents or social upheavals, which provides clear light on harsh realities. He is best known for his plays, Shantata Court Chalu Aahe (1967), Ghshirm Kotwl (1972), and Sakhrm Binder (1972).Many of Tendulkars plays derived inspiration from real-life. One has to create an opportunity and her decision to stick by her husband, in the end, is also not good. Sarita doesnt do anything but rather decides to wait for an opportunity. Though theyre very different situations, the moral conflict in this play reminded me of the media blow-up around the Mattress Girl at Columbia some years back - and specifically, that she described even the positive media fervor as exploitative. Although I didnt really like the ending, but thats still not a deterrent to the issues the play highlights.
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